Go the extra mile
September 1, 2009
This post also appears as part of The Inspirer, my monthly newsletter, that you can sign up for at my website www.joparfitt.com.
Go the extra mile
My inspiration for this month’s article only came to me a few hours ago when I received an email from an ex-student of mine, Amanda van Mulligen. Amanda had got in touch to send me the link to an article she had written called A World of Inspiration and in which, she said, I featured. I clicked on the link and was faced not only a super piece of writing, but also an article that described how many connections and referrals I had given Amanda since we first met almost four years ago. It went on to describe how each of those contacts had become so much more, how they had enriched her life, inspired her, and even made her money. I was delighted. But my happiness was not so much for the fact that Amanda had written about me but that she had gone to the effort of letting me know. She had gone the extra mile.
And as I thought about that for a moment I realised that these days, when competition is tough, we can all do with finding ways to go the extra mile. Here are my top ten ways:
Top ten ways to go the extra mile
1 When you write an article, try to add a box of resources and further reading to the end, so that the readers know where to go to find out more.
2 When you write a book, add a substantial and useful resources section, an appendix, a bibliography and see if you can also add the URLs of all the people, organisations and websites you mention too.
3 Forging a career as a paid writer can be tough, so make it easy for those who may commission you and have your portfolio available online.
4 Publisher like to commission new authors who are more than just writers, people with a presence, a following, a route to market. So start a blog, send a newsletter, build a portfolio of other published work, poetry, articles, reviews, so that you already have Googlability.
5 When I teach, I always give my students handouts and reading lists and in my Life Story classes I now edit all their homework for them, which I then offer to share with the entire class, so that all the students can learn from it. What added bonus can you give?
6 People buy from people they have already worked with, so why not offer your potential clients something for free so they get to see you in action
7 If you coach or mentor, as I do, see if you can give your clients as much extra as you can. I always connect mine to editors, suggest magazines they could write for and introduce them to the people they need to interview for their books or articles.
8 Look out for opportunities to connect other people at all times and then do so. A simple email is all it takes.
9 Develop a ‘paying it forward’ mindset. Remember, the adage: give and you will receive.
10 Say thank you. Thank people for referrals, for work you pass their way, connections, ideas. A simple thank you encourages those people to give again.
One other person has gone the extra mile for me this month and I would like to thank her here, partly because she deserve thanks, but mostly because I think you will benefit from knowing her too.
Meet Sheila Bender
Firstly, I have long admired the work of writer, Sheila Bender. She wrote ‘Keeping a Journal You Love’ and ‘Writing in a New Convertible with the Top Down’ among many others, and my copies of her books are peppered with Post-it notes as I refer back to them again and again. I decided I wanted to connect with Sheila, to ask if I might use an extract from her books in my Life Story online program. I found her at her website Writing it Real and sent her an email. Not only did Sheila reply to me, and fast, but she invited me to write for her newsletter too, and then, knowing that many of my Inspirer recipients do not subscribe to it, she made a special link so that you could all read my article, about The Greatest Block of All. That was going the extra mile. People normally pay for her newsletter, so this was a big favour. Thank you Sheila.
I hope that this month’s offering has inspired you. I wonder how you could you go the extra mile? Perhaps you’d like to tell me by visiting this article on my blog and adding a comment? I know it would mean you had to go the extra mile, but that’s what it’s all about, isn’t it?
Til next month
Jo
Write from a Place of Pain
July 2, 2009
It must be 20 years since I first discovered the words of Natalie Goldberg. In fact, her Writing Down the Bones was the first book on writing I ever bought. It blew me away. Here was a woman who was making a very nice living doing something that to many would be classed as sheer indulgence. She would go and sit in a café, ‘meet at the page’ and just ‘go’. She’d write about whatever popped into her head, inspired by the scene around her or the thoughts in her head. One sentence from her book has stayed with me ever since. It is a sentence that I add to many of my handouts. It is a sentence that makes my stomach do a little flip every time I read it out loud. Here’s what she says:
‘Begin to write in the dumb, awkward way an animal cries out in pain, and there you will find your intelligence, your words, your voice.’
Every time I look at a piece of my writing and think there is something missing I remember this phrase. The best writing should resonate not only with the reader, but with you, the writer. The best writing is emotive. I learned this to my cost last year. Let me tell you the story:
Just over two years ago I decided it was time I wrote a novel, I’d had an idea mooching around in my head for a while and recognised that it was no good leaving it there. I had to put it on the page. So, I started writing. I was quickly ‘in the flow’ and wrote 98,000 words. It was about an expat wife, a bit like me, who found herself in Dubai, just like me, and who wanted to retain her professional identity against all odds, just like me. I knew the topic well. I had been there, done that, got the tee shirt and written the books too. With titles under my belt including Career in Your Suitcase, Find Your Passion and Expat Entrepreneur, I reckoned I had the subject matter sussed. But after months of writing I received some feedback on my work and was told in no uncertain terms that I had got it badly wrong. You see, the thing is, I knew so much about the subject that I had inadvertently written a non-fiction book all over again instead of a novel.
My wonderful mentor, and much-published novelist, Anita Burgh took me to one side and said: “What happened to your poetry and your lyricism, Jo? Where did you go? It’s a story, remember?”
Well, I’m not sure where I had been, but at that moment I knew the place I had to go was back to the drawing board. I binned my 98,000 words and started again, this time from a place of pain. This time I got right inside the head of my main characters and felt their emotions not for them, but with them. In doing so, I was forced to drop my ‘portable career expert’ status and simply start telling the story. In short, I did what Goldberg had been telling me to do for years. To be vulnerable. To be awkward. To feel exposed.
I finished my novel in January, and immediately after, as some of you know, I published my first volume of poetry, A Moving Landscape. Buoyed up by the feeling of relief and freedom that I had gained from writing my novel, I was confident enough to go one step further and show the world my poems too.
I’m with Goldberg. Your best writing and your writer’s voice are to be found when you find your words not in the pen or keyboard but in your heart, your gut, your soul. If you find it a struggle to expose yourself in this way and perhaps consider it too scary, then I suggest you try writing a poem. In my experience, poetry is written from that place of pain, and when you write it, somehow you give yourself permission to be vulnerable.
It’s July. Chances are you will be taking a holiday sometime soon. My challenge to you is that you take a beautiful notebook along with you and practise writing from the soul. You never know, you may not just find your voice, you may find yourself too.
Jo
Don’t forget to scroll down to the Writers’ Resources section in this month’s Inspirer See the Workshop Diary for brief details. To catch the news when it happens please sign up to my blog. For a summary of what I’ve been writing about see the On the blog section of this newsletter.
With warm wishes
Jo Parfitt
A Place of Pain
It must be 20 years since I first discovered the words of Natalie Goldberg. In fact, her Writing Down the Bones was the first book on writing I ever bought. It blew me away. Here was a woman who was making a very nice living doing something that to many would be classed as sheer indulgence. She would go and sit in a café, ‘meet at the page’ and just ‘go’. She’d write about whatever popped into her head, inspired by the scene around her or the thoughts in her head. One sentence from her book has stayed with me ever since. It is a sentence that I add to many of my handouts. It is a sentence that makes my stomach do a little flip every time I read it out loud. Here’s what she says:
‘Begin to write in the dumb, awkward way an animal cries out in pain, and there you will find your intelligence, your words, your voice.’
Every time I look at a piece of my writing and think there is something missing I remember this phrase. The best writing should resonate not only with the reader, but with you, the writer. The best writing is emotive. I learned this to my cost last year. Let me tell you the story:
Just over two years ago I decided it was time I wrote a novel, I’d had an idea mooching around in my head for a while and recognised that it was no good leaving it there. I had to put it on the page. So, I started writing. I was quickly ‘in the flow’ and wrote 98,000 words. It was about an expat wife, a bit like me, who found herself in Dubai, just like me, and who wanted to retain her professional identity against all odds, just like me. I knew the topic well. I had been there, done that, got the tee shirt and written the books too. With titles under my belt including Career in Your Suitcase, Find Your Passion and Expat Entrepreneur, I reckoned I had the subject matter sussed. But after months of writing I received some feedback on my work and was told in no uncertain terms that I had got it badly wrong. You see, the thing is, I knew so much about the subject that I had inadvertently written a non-fiction book all over again instead of a novel.
My wonderful mentor, and much-published novelist, Anita Burgh took me to one side and said: “What happened to your poetry and your lyricism, Jo? Where did you go? It’s a story, remember?”
Well, I’m not sure where I had been, but at that moment I knew the place I had to go was back to the drawing board. I binned my 98,000 words and started again, this time from a place of pain. This time I got right inside the head of my main characters and felt their emotions not for them, but with them. In doing so, I was forced to drop my ‘portable career expert’ status and simply start telling the story. In short, I did what Goldberg had been telling me to do for years. To be vulnerable. To be awkward. To feel exposed.
I finished my novel in January, and immediately after, as some of you know, I published my first volume of poetry, A Moving Landscape. Buoyed up by the feeling of relief and freedom that I had gained from writing my novel, I was confident enough to go one step further and show the world my poems too.
I’m with Goldberg. Your best writing and your writer’s voice are to be found when you find your words not in the pen or keyboard but in your heart, your gut, your soul. If you find it a struggle to expose yourself in this way and perhaps consider it too scary, then I suggest you try writing a poem. In my experience, poetry is written from that place of pain, and when you write it, somehow you give yourself permission to be vulnerable.
It’s July. Chances are you will be taking a holiday sometime soon. My challenge to you is that you take a beautiful notebook along with you and practise writing from the soul. You never know, you may not just find your voice, you may find yourself too.
Jo
Put wow in your writing – London 29 June
June 23, 2009
Books need a wow factor! Find out how to make your book come alive by writing effective anecdotes and case studies. Come and be inspired and empowered when I’m the guest speaker at Storyville in WC2 from 7-9 pm on 29th. Just £15. Details at http://www.thebig-leap.com/storyville.phtml
Don’t miss my free publishing workshop in Amsterdam
June 23, 2009
Could you, should you, write a book?
If this is a question that you often ask yourself, then maybe it’s time to find out. On 9th July I’m running a Special Interest Group workshop for the European Professional Women’s network in Amsterdam. It will cover topics including:
what makes a book sell?
what is a wow factor?
could I really write a book?
what book would make me the most money?
how can a book help me raise my fees?
So, if you need to be inspired, informed and supported hurry and grab your place on this free workshop. led by me, Jo Parfitt, from 7-9pm at the Renaissance Hotel in Amsterdam.
Places are limited and the link is here http://europeanpwn-amsterdam.net/workshops/publish-your-book
Publisher needs forward-thinking editors
September 17, 2008
Debbie Jenkins from www.bookshaker.com has currently got three projects
in the pipeline that require the skills of talented, and forward-thinking, editors.
If you’ve heard of Book Shaker before then you’ll also know that they pay
unprecedented royalties to their authors. The way they can afford to pay
such big royalties is by offering professional editors a stake in the book’s
success rather than a one-off payment.
They have published the following books of mine:
Career in Your Suitcase
Find Your Passion
Expat Writer – Release the Book Within
Expat Entrepreneur
Now, for the jobbing editors amongst you, you’re probably thinking “scam”
but I’ve worked with Debbie on several occasions now and wouldn’t share
this if I didn’t trust her. Anyway, if you’re interested, then here’s her proposal…
1. Debbie is looking for editors who would like to earn up to 20% royalties from lifetime
sales of each book they work on.
2. All profit to the editor will come from the result of sales of the book, and royalties
will be paid quarterly.
3. Debbie does not pay a one-off fee for editing but instead offers a long term stake in the
intellectual property to provide ongoing income in the long term.
4. She is looking to pull together a team of around 5 editors to work on approximately
50 books during 2009.
5. Based on average sales of Bookshaker’s top 10 performers if you’d edited 10 books
you would be getting paid at least £720 every 3 months, for the lifetime of those
books, with no extra work to do.
If what Debbie is doing interests you then please complete the short form at www.bookshaker.com/drupal5/editor
Once you’ve completed the form you’ll get an auto-responder telling you more and Debbie
promises she’ll follow up soon after to answer any questions you may have asked.
Good luck
More than 100 great workshops in the Hague
September 3, 2008
In need of an inspiration injection? Then check out the American School Fall brochure. Workshops range from learning to massage, do Reiki or become more spiritual, to golf, bellydance, language, cookery, arts and crafts and even day trips of Dutch cities.
Download the brochure, here. You’ll find it just below the PTA Services headline. Oh, and by the way, deadline for registrations is 10th September – so hurry.
YOu will also find details of my workshops there too:
Break into Writing 23rd SEpt
Write from Life 30th Sept
Release the book within 7th Oct
Definite Articles 28th Oct
Career in Your Suitcase 6th Nov
How to get your book published 13 Nov
How to make the perfect pitch 20th Nov
Growing Global Networks 27th Nov
Powertools for Publicity 4th Dec